Wednesday 20 February 2008

Choosing the style of your garden


Digg!

Well, we have been going a few days now, documenting what we can - it takes a long time this writing malarkay!

Anyway, we realised that we ought to talk about choosing your style of garden, is it a courtyard garden, patio garden, terraced hillside, a large plot of land (like we both have) paving, do you want a water garden or perhaps a dry, low maintenance garden. All these topics will be covered in greater detail later but I didn't want you thinking "OK, OK, this is great and all that, talking about the flowers and all, but where do I plant them, where do I start???!!!".

So, let's get to the matter in hand - Choosing your style of garden.

Each individual will clearly have a different approach to creating a garden. But when planning one remember that it should NOT be a chore, but a joy to sustain! Be clear before you start about the use it will be put to and how much time you will devote both to enjoying it and to maintaining your precious outdoor space. (Unless you can afford a gardener and then, well, bugger it, just go for it ;)

Cool courtyards built round gently cascading fountains, tiled patios with dappled shade from overhead vines, terraced slopes left wild with sweet smelling cistus and rosemary or planted with drought-resistant cacti or succulents - these are solutions that please the eye, engage the intellect and refresh the spirit. Lets explore a variety of styles and approaches.

The impact on design of the two great garden styles of the Western Mediterranean region has been immense. The first, the Moorish, seen at its most sublime in the gardens of the Alhambra in Granada and the Alcazar in Seville, is based on the traditional Islamic garden. In this the garden was divided by waterways - representing the four Rivers of Life - into four, the quadripartite design which has been echoed in many gardens throughout the Western World. The style came to Spain with the Moors from North Africa.

The second style, vastly different in concept, is that of the Italian Renaissance where the emphasis is on balance and proportion. Full of sanctuary, impressive balustrades, terraces, flights of steps, fountains and basins, these gardens are dramatic and formal.

While the Moorish style is intimate, designed for people to use and devoid of statuary or ornament, the Italian Renaissance garden is to amaze, to be wondered at and admired. Both styles have been adopted and adapted in countries way beyond the Mediterranean region.

The Islamic influence, for example, is evident not only in the gardens of the Taj Mahal but, through the conquistadors, in gardens of South America. The influence of the great Italian gardens spread first to France, where it is much in evidence at Versailles, and then to Britain where it can be seen, for example, in the gardens of Powis Castle in Wales,. Italian influences are also apparent in the relatively recent gardens at Blake House California.

Present day gardeners can rarely afford to emulate the flamboyance of the Italian High Renaissance, though elements of it are evident in details - fountains, statuary, ornament - of gardens throughout the World.

The Moorish style is far more accessible and practical. To create calming and earthly manifestations of the Paradise Garden, flat ground is advised with a small pond set into the lush grass, perhaps some gravel, a few trees planted symmetrically along the pond and pots in bloom - maybe some fountains of running water or cool pavilions to offer delight and refreshment.

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